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| 2021-05-09 | Cubase 11 Beginner Tutorial 6: Ways to Duplicate Material | Japanese original ↗ |
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| 2021-04-18 | Cubase 11 Beginner Tutorial 5: Programming Drum Patterns | Japanese original ↗ |
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| 2021-03-14 | Cubase 11 Beginner Tutorial 3: Basic Track Types and How to Create Them | Japanese original ↗ |
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| 2020-02-15 | Waves Abbey Road Collection Tips, Part 3: Saturation for Better Mixes | Japanese original ↗ |
| 2020-02-15 | Waves OVox Tutorial: Creating a YouTube Jingle with Vocal Effects | Japanese original ↗ |
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| 2019-12-31 | 2020 DAW Popularity Survey: Nexus 3 Giveaway (Closed) | Japanese original ↗ |
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| 2019-12-21 | Better Mixing Tips: Waves Abbey Road Collection, Part 1 — TG Mastering Chain and Reel ADT | Japanese original ↗ |
| 2019-12-14 | How to Use reFX Nexus 3: New Features and Workflow | Japanese original ↗ |
| 2019-12-10 | Better Mixing Tips: Using Waves OneKnob Louder | Japanese original ↗ |
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| 2019-11-14 | Ableton Live for Guitarists, Part 2: MIDI and Audio Recording with Guitar | Japanese original ↗ |
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| 2019-10-27 | Better Mixing Tips: Getting the Most from Waves Platinum Bundle | Japanese original ↗ |
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| 2019-08-17 | Basic Note Values and Tuplets | Japanese original ↗ |
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| 2019-06-27 | Cubase 10.0.30 / Nuendo 10.1: ARA 2 Support for Melodyne | Japanese original ↗ |
| 2019-06-15 | Behind the Scenes with Composer Yusuke Shirato, Part 1: Songwriting | Japanese original ↗ |
| 2019-06-06 | iZotope Neutron 3: How to Use Mix Assistant to Automatically Balance Track Volumes | Japanese original ↗ |
| 2019-06-01 | Cubase Pro 10 Music Production Seminar, Part 5: Spatial Effects for Vocals | Japanese original ↗ |
| 2019-05-26 | Studio One 4.5: A Guide to the New Features | Japanese original ↗ |
| 2019-05-25 | Cubase Pro 10 Music Production Seminar, Part 4: Polishing Vocals with VariAudio 3 | Japanese original ↗ |
| 2019-05-12 | Cubase Pro 10 Music Production Seminar 3: Creating Melodic and Atmospheric Layers | Japanese original ↗ |
| 2019-05-05 | Cubase Pro 10 Music Production Seminar 2: Creating Trap Bass Sounds and Phrases | Japanese original ↗ |
| 2019-05-02 | Free and Ready to Use! Loopcloud 4 Tutorial, Part 2: Importing, Purchasing, and Editing Samples | Japanese original ↗ |
| 2019-05-01 | Cubase Pro 10 Music Production Seminar 1: Trap Rhythm Programming Techniques | Japanese original ↗ |
| 2019-04-29 | Free and Ready for Music Production! Loopcloud 4 Tutorial, Part 1: The Basics | Japanese original ↗ |
| 2019-04-16 | XLN Audio XO Tutorial: Samples, Beat Programming, Sound Editing, and Export | Japanese original ↗ |
| 2019-03-28 | How to Use Nektar Bolt, Part 2: Shaping Sounds with ENV and LFO | Japanese original ↗ |
| 2019-03-28 | No Filter? Nektar Bolt Tutorial 1: Product Overview and Oscillator Section | Japanese original ↗ |
| 2019-03-14 | Soundtheory Gullfoss Tutorial 2: Parameters and Sound Shaping | Japanese original ↗ |
| 2019-03-12 | Soundtheory Gullfoss Tutorial 1: Automatic EQ Overview and Applying the Plug-in | Japanese original ↗ |
| 2019-02-28 | ARTURIA PIGMENTS Tutorial: Features and Sound Controls in Each Section | Japanese original ↗ |
| 2019-02-23 | Positive Grid BIAS AMP 2 Tutorial, Part 2: Customizing Your Amp | Japanese original ↗ |
| 2019-02-17 | MetricAB Tutorial 2: Loudness Match and the Playback Section | Japanese original ↗ |
| 2019-02-16 | Cubase 10 VR Tool Set, Part 2: Mixing in a VR Space | Japanese original ↗ |
| 2019-02-10 | Distroyer Tutorial, Part 2: Sound Design with Each Parameter in Cubase 10 | Japanese original ↗ |
| 2019-02-06 | Ableton Live 10.1 New Features: VST3 Support, Enhanced Automation, and More | Japanese original ↗ |
| 2019-01-29 | Positive Grid BIAS AMP 2 Tutorial 1: Product Overview and Preamp | Japanese original ↗ |
| 2019-01-20 | 2019 DAW Rankings: A Survey of 4,226 Music Producers | Japanese original ↗ |
| 2019-01-19 | Distroyer Tutorial 1: Basic Parameters in Cubase 10 | Japanese original ↗ |
| 2018-12-24 | Zynaptiq INTENSITY Tutorial: Bring Remarkable Clarity to Your Tracks | Japanese original ↗ |
| 2018-12-09 | Cubase 10 VR Tool Set, Part 1: The Basics | Japanese original ↗ |
| 2018-12-03 | FabFilter Pro-Q 3 New Features, Part 3: Brickwall, Flat Tilt, and Masking Detection | Japanese original ↗ |
| 2018-12-02 | FabFilter Pro-Q 3 New Features, Part 2: Dynamic EQ | Japanese original ↗ |
| 2018-12-02 | Arturia KeyLab MkII Tutorial 2: Pads, Analog Lab, and DAW Mixer Control | Japanese original ↗ |
| 2018-12-01 | FabFilter Pro-Q 3 New Features 1: Enhanced M/S Mode | Japanese original ↗ |
| 2018-11-24 | Arturia KeyLab MkII Tutorial 1: DAW Integration, Transpose, and Chord Functions | Japanese original ↗ |
| 2018-11-14 | Cubase 10 New Features, Part 1: VariAudio 3 | Japanese original ↗ |
| 2018-11-14 | Cubase 10 New Features, Part 3: Audio Alignment, Groove Agent SE 5, and More | Japanese original ↗ |
| 2018-11-05 | Plugin Boutique: How to Create an Account and Buy Plug-ins | Japanese original ↗ |
| 2018-11-02 | Electronic Music in Cubase Pro, Part 1: Choosing Drum Sounds and Creating Patterns | Japanese original ↗ |
| 2018-11-02 | Electronic Music in Cubase Pro, Part 2: Piano Tracks and Chord Progressions | Japanese original ↗ |
| 2018-11-02 | Electronic Music in Cubase Pro, Part 3: Bass Sound Design and Phrases | Japanese original ↗ |
| 2018-11-02 | Electronic Music in Cubase Pro, Part 4: Vocal Harmonies and Leads | Japanese original ↗ |
| 2018-11-02 | Electronic Music in Cubase Pro, Part 5: Backing Synths and Pluck Sounds | Japanese original ↗ |
| 2018-11-02 | Electronic Music in Cubase Pro, Part 6: Sound Effects and Buildups | Japanese original ↗ |
| 2018-11-02 | Electronic Music in Cubase Pro, Part 7: Mastering | Japanese original ↗ |
| 2018-09-29 | Melodyne 4, Part 3: Editor and Studio Overview and Tutorial | Japanese original ↗ |
| 2018-09-29 | Melodyne 4, Part 2: Assistant Overview and Tutorial | Japanese original ↗ |
| 2018-09-29 | Melodyne 4, Part 1: Essential Overview and Tutorial | Japanese original ↗ |
| 2018-09-08 | How to Use Captain Plugins: Chords, Bass Lines, and Melodies | Japanese original ↗ |
| 2018-09-01 | How to Use Oculus Spatializer for 3D Audio | Japanese original ↗ |
| 2018-08-10 | Sonnox Oxford Dynamic EQ: Features and How to Use It | Japanese original ↗ |
| 2018-07-30 | How to Use OwnTHD: A Different Kind of Saturator | Japanese original ↗ |
| 2018-07-16 | How to Use Native Instruments TRK-01: Kick, Bass, Sequencing and Effects | Japanese original ↗ |
| 2018-07-05 | Guitar Amp Tone with Kenji Suzuki, Part 3: Creating Guitar Solo Tones | Japanese original ↗ |
| 2018-06-11 | Arturia 3Preamps and 3Filters: Plug-in Effects Review | Japanese original ↗ |
| 2018-06-10 | FL Studio 20 New Features, Part 2: Playlist, Recording, and Time Signatures | Japanese original ↗ |
| 2018-06-03 | Studio One 4 New Features: How to Use the Pattern Editor and Impact XT | Japanese original ↗ |
| 2018-06-02 | FL Studio 20 New Features, Part 1: Mac Support and Sound Editing | Japanese original ↗ |
| 2018-05-27 | Studio One 4 New Features: The Innovative Chord Track | Japanese original ↗ |
| 2018-05-26 | Guitar Amp Tone with Kenji Suzuki, Part 2: Creating Distortion Sounds | Japanese original ↗ |
| 2018-05-21 | Prominy Hummingbird Tutorial, Part 2: Techniques for a More Realistic Performance | Japanese original ↗ |
| 2018-05-05 | Mastering with Engineer and Producer Ryuichi Kojima, Part 4: Creating a DDP Image | Japanese original ↗ |
| 2018-05-01 | Exploring UAD Shadow Hills Mastering Compressor | Japanese original ↗ |
| 2018-04-30 | Mastering with Engineer and Producer Ryuichi Kojima, Part 3: Matching the Sound of Your Songs | Japanese original ↗ |
| 2018-04-20 | Mastering with Engineer and Producer Ryuichi Kojima, Part 2: Plug-in Settings | Japanese original ↗ |
| 2018-04-19 | Guitar Amp Tone with Kenji Suzuki, Part 1: Clean and Crunch Sounds | Japanese original ↗ |
| 2018-04-09 | Mastering with Engineer and Producer Ryuichi Kojima, Part 1: Preparing for Mastering | Japanese original ↗ |
| 2018-04-07 | ORB COMPOSER Tutorial: Overview and Setup for AI-Assisted Composition | Japanese original ↗ |
| 2018-04-05 | V Collection 6 Tutorial 4: DX7 V Modulation and Effects | Japanese original ↗ |
| 2018-03-30 | Exploring the UAD Manley Massive Passive Equalizer | Japanese original ↗ |
| 2018-03-24 | Logic Pro X 10.4: Studio Horns and Articulations | Japanese original ↗ |
| 2018-03-16 | V Collection 6 Tutorial 3: Controlling DX7 V Parameters | Japanese original ↗ |
| 2018-03-04 | Heavier7Strings Tutorial 2: Playing Techniques | Japanese original ↗ |
| 2018-02-25 | The UAD UA 1176 Compressor in Action | Japanese original ↗ |
| 2018-02-23 | V Collection 6 Tutorial 2: DX7 V Basics and Operators | Japanese original ↗ |
| 2018-02-16 | Logic Pro X 10.4 New Features 1: Smart Tempo | Japanese original ↗ |
| 2018-02-07 | Ableton Live 10 New Features 1: Devices, Capture and More | Japanese original ↗ |
| 2018-02-05 | V Collection 6 Tutorial 1: Analog Lab 3 | Japanese original ↗ |
| 2018-02-04 | Komplete Kontrol 1.9.3 Host Integration: Cubase | Japanese original ↗ |
| 2018-02-03 | Heavier7Strings Tutorial 1: Basic Overview | Japanese original ↗ |
| 2018-01-26 | Pathways into the Music Industry 5: Interview with VOCALOID Creator Hideki Kenmochi | Japanese original ↗ |
| 2018-01-21 | How to Use Plugin Boutique Scaler for Chord Progressions | Japanese original ↗ |
| 2018-01-08 | Create a Pachinko Kyuin Sound Effect with Massive | Japanese original ↗ |
| 2017-12-14 | How to Use TBProAudio ISOL8: A Free Five-Band Frequency Monitor | Japanese original ↗ |
| 2017-12-12 | Create a Rock-Style Snare with Audio Assault Transient+ | Japanese original ↗ |
| 2017-12-12 | Steinberg UR Series: How to Use REV-X Digital Reverb | Japanese original ↗ |
| 2017-12-07 | T-RackS 5 Tutorial: Mastering with the ONE Module | Japanese original ↗ |
| 2017-11-24 | Reveal Sound Spire: A Practical Guide to Sound Design | Japanese original ↗ |
| 2017-11-05 | How to Load and Manage Kontakt Samples and Free Instruments | Japanese original ↗ |
| 2017-11-03 | How to Use tritik Krush: A Free Bitcrusher Plug-in | Japanese original ↗ |
| 2017-10-29 | Superior Drummer 3 Tutorial 2: Finding and Editing Grooves | Japanese original ↗ |
| 2017-10-29 | EQuivocate Tutorial: A Powerful Graphic Equalizer | Japanese original ↗ |
| 2017-10-27 | MASCHINE MK3 Setup: From Registration to First Use | Japanese original ↗ |
| 2017-10-27 | KOMPLETE KONTROL S49 / S61 Setup: From Registration to First Use | Japanese original ↗ |
| 2017-10-22 | Xpand!2 Tutorial: Using This Multi-Instrument | Japanese original ↗ |
| 2017-10-20 | LANDR Automatic Mastering Update: Lydian, Sharing and Distribution | Japanese original ↗ |
| 2017-10-19 | Steinberg UR Guitar Amp Classics: Amp Simulator Guide | Japanese original ↗ |
| 2017-10-13 | Steinberg UR Morphing Channel Strip: Equalizer Guide | Japanese original ↗ |
| 2017-10-08 | Superior Drummer 3 Tutorial 1: Kit Presets and Features | Japanese original ↗ |
| 2017-09-29 | Steinberg UR Morphing Channel Strip: Compressor Guide | Japanese original ↗ |
| 2017-09-17 | How to Create Vocal Chops in Kontakt | Japanese original ↗ |
| 2017-09-07 | Steinberg UR Series: dspMixFx Overview and Setup | Japanese original ↗ |
| 2017-08-06 | How to Use A.O.M. 009VU: A VU Meter Guide | Japanese original ↗ |
| 2017-07-08 | How to Use Wave Shredder Nano for Glitch Effects | Japanese original ↗ |
| 2017-06-10 | How to Use Tau Compressor: Understanding Compression | Japanese original ↗ |
| 2017-05-27 | Tips for Recording Through a Compressor | Japanese original ↗ |
| 2017-05-25 | How to Use New Sonic Arts Vice: Audio Loop Slicing | Japanese original ↗ |
| 2017-05-10 | Invisible Limiter Nano: How to Optimize Track Loudness | Japanese original ↗ |
| 2017-04-15 | New Sonic Arts Nuance Tutorial 2: Editing Pitched Instruments | Japanese original ↗ |
| 2017-04-01 | Dragon Quest III “Heavenly Flight” Analysis 8: The Picardy Cadence | Japanese original ↗ |
| 2017-03-30 | New Sonic Arts Nuance Tutorial 1: Rhythm Editing | Japanese original ↗ |
| 2017-03-14 | How to Use New Sonic Arts Granite: Granular Synthesis | Japanese original ↗ |
| 2017-02-25 | Dragon Quest III “Heavenly Flight” Analysis 7: Pedal Points | Japanese original ↗ |
| 2017-02-23 | How to Use New Sonic Arts Freestyle: VST Hosting and Routing | Japanese original ↗ |
| 2017-02-05 | Vienna Ensemble Pro 6 Tutorial 3: Workflow Efficiency Techniques | Japanese original ↗ |
| 2017-01-30 | Vienna Ensemble Pro 6 Tutorial 2: Connecting to a DAW | Japanese original ↗ |
| 2017-01-29 | Vienna Ensemble Pro 6 Tutorial 1: Basic Overview | Japanese original ↗ |
| 2017-01-28 | A Guide to Compressor Types: FET, VCA, Tube and Optical | Japanese original ↗ |
| 2017-01-15 | Ableton Live: Using Link for Sessions Across Multiple Devices | Japanese original ↗ |
| 2017-01-07 | Dragon Quest III “Heavenly Flight” Analysis 6: Bass-Line Cliché | Japanese original ↗ |
| 2016-12-18 | How to Make Scratch and Tape-Stop Sounds in Ableton Live | Japanese original ↗ |
| 2016-12-11 | MODO BASS Tutorial: IK Multimedia’s Physically Modeled Bass | Japanese original ↗ |
| 2016-12-10 | Cubase Pro 9 New Features, Part 2: Sampler Track and Audio Input | Japanese original ↗ |
| 2016-12-08 | Cubase Pro 9 New Features, Part 1: Lower Zone and MixConsole | Japanese original ↗ |
| 2016-11-30 | Serum Tutorial: Wavetables, Modulation and Sound Design | Japanese original ↗ |
| 2016-11-27 | Dragon Quest III “Heavenly Flight” Analysis 5: Tritone Substitution | Japanese original ↗ |
| 2016-11-24 | Skrillex-Style Wobble Bass 6: Creating Metallic Sounds | Japanese original ↗ |
| 2016-11-20 | FreeFileSync Tutorial: A Convenient Way to Back Up Files | Japanese original ↗ |
| 2016-11-18 | How to Use LANDR Automatic Mastering: A 2016 Guide | Japanese original ↗ |
| 2016-11-13 | MUTANT Tutorial: Organize Audio Samples Efficiently | Japanese original ↗ |
| 2016-11-11 | Ableton Live Tutorial 32: Using Looper for Performance | Japanese original ↗ |
| 2016-11-07 | The Mouth Tutorial: Using Native Instruments REAKTOR Effects | Japanese original ↗ |
| 2016-10-26 | iZotope Neutron Tutorial 2: Exploring the Effect Sections | Japanese original ↗ |
| 2016-10-22 | Dragon Quest “Heavenly Flight” Analysis 4: Focus on the Bass Line | Japanese original ↗ |
| 2016-10-17 | iZotope Neutron Tutorial 1: Track Assistant | Japanese original ↗ |
| 2016-10-16 | Cut-Up Techniques 2: Chop and Reconstruct a Guitar Phrase, Part 2 | Japanese original ↗ |
| 2016-10-15 | Cut-Up Techniques 2: Chop and Reconstruct a Guitar Phrase, Part 1 | Japanese original ↗ |
| 2016-10-14 | Six Ways to Create EDM Riser Sounds | Japanese original ↗ |
| 2016-10-11 | Skrillex-Style Wobble Bass 5: Phase Modulation and Macros | Japanese original ↗ |
| 2016-10-03 | Cubase Event Editing: Choosing the Right Snap Mode | Japanese original ↗ |
| 2016-10-01 | Basic Tuning for Music Production: Why a Shared Pitch Reference Matters | Japanese original ↗ |
| 2016-09-26 | Dragon Quest “Heavenly Flight” Analysis 3: The Chord Progression | Japanese original ↗ |
| 2016-09-24 | Native Instruments FORM Tutorial: Sample-Based Sound Design | Japanese original ↗ |
| 2016-09-22 | Studio One Mastering: Linking Songs and Projects | Japanese original ↗ |
| 2016-09-21 | Eiosis E2 Deesser: Advanced Guitar and Mastering Applications | Japanese original ↗ |
| 2016-09-19 | Dragon Quest III “Heavenly Flight” Analysis 2: Identifying the Key | Japanese original ↗ |
| 2016-09-09 | Skrillex-Style Wobble Bass 4: Creating Explosion Sound Effects | Japanese original ↗ |
| 2016-09-04 | Eiosis E2 Deesser: Vocal De-essing and Basic Operation | Japanese original ↗ |
| 2016-09-03 | Skrillex-Style Wobble Bass 3: Modulating Filters with PERFORMER | Japanese original ↗ |
| 2016-08-27 | Skrillex-Style Wobble Bass 2: Envelopes and Macros | Japanese original ↗ |
| 2016-08-21 | Skrillex-Style Wobble Bass 1: Massive Sound Design | Japanese original ↗ |
| 2016-08-12 | Dragon Quest III “Heavenly Flight” Analysis 1: Structure | Japanese original ↗ |
| 2016-07-18 | Control Rapid Drum Repeats with Impulse | Ableton Live Tips | Japanese original ↗ |
| 2016-07-17 | KOMPLETE KONTROL 1.6.2: Logic Integration and Arpeggiator Updates | Japanese original ↗ |
| 2016-07-15 | RealGuitar 4: How to Use SONG Mode | Japanese original ↗ |
| 2016-07-15 | RealGuitar: How to Authorize Your License | Japanese original ↗ |
| 2016-07-09 | Cut-Up Techniques: Turn Chopped Audio into New Phrases | Japanese original ↗ |
| 2016-07-04 | Programming Percussion: Shaker Techniques | Japanese original ↗ |
| 2016-07-03 | Reading the Piano Roll and Rhythm, Part 3: Dots and Tuplets | Japanese original ↗ |
| 2016-07-01 | Prominy Hummingbird Tutorial 1: Strumming and Arpeggios | Japanese original ↗ |
| 2016-06-26 | MAGIC AB 2: Reference Track Comparison for Mixing and Mastering | Japanese original ↗ |
| 2016-06-23 | Using Distortion on Hi-Hats and Cymbals | Japanese original ↗ |
| 2016-06-21 | Route and Stream Mac Audio with Soundflower and LadioCast | Japanese original ↗ |
| 2016-06-21 | REPLIKA XT Tutorial 3: The Advanced Section | Japanese original ↗ |
| 2016-06-20 | REPLIKA XT Tutorial 2: Delay and Effects Sections | Japanese original ↗ |
| 2016-06-19 | “Arigatou” Chord Analysis 7: Slash Chords | Japanese original ↗ |
| 2016-06-17 | Slate Digital Trigger 2 Tutorial: Advanced Features | Japanese original ↗ |
| 2016-06-16 | Linear-Phase EQ: Benefits, Pre-Ringing and When to Use It | Japanese original ↗ |
| 2016-06-15 | I WISH Tutorial 2: Animate Pitch and Formant | Japanese original ↗ |
| 2016-06-14 | NETDUETTO 2: Collaborating on DAW Audio Online | Japanese original ↗ |
| 2016-06-12 | Slate Digital Trigger 2 Tutorial: Overview and Key Parameters | Japanese original ↗ |
| 2016-06-10 | I WISH Tutorial 1: Basic Parameters and Setup | Japanese original ↗ |
| 2016-06-07 | REPLIKA XT Tutorial 1: Overview and Main Controls | Japanese original ↗ |
| 2016-06-06 | Ableton Live Tips: Set Up Choke Groups in Drum Rack | Japanese original ↗ |
| 2016-06-03 | Synth Recipe: Add Attack with a Pitch Envelope | Japanese original ↗ |
| 2016-05-30 | Ableton Live Tips: Make Hi-Hats Tighter with Impulse | Japanese original ↗ |
| 2016-05-29 | Reading the Piano Roll and Rhythm, Part 2: Note Values | Japanese original ↗ |
| 2016-05-26 | Reading the Piano Roll and Rhythm, Part 1: Quarter Notes | Japanese original ↗ |
| 2016-05-22 | Ableton Live Tips: Optimize Timing with Track Delay | Japanese original ↗ |
| 2016-05-15 | Programming Cymbal Rolls and Chokes in Addictive Drums 2 and BFD3 | Japanese original ↗ |
| 2016-05-13 | Programming Clavinet Backing, Part 2: Creating a Natural Groove | Japanese original ↗ |
| 2016-05-12 | Ableton Live Tips: Morph Plug-in Parameters with Configure and the XY Pad | Japanese original ↗ |
| 2016-05-09 | Sonic Academy KICK 2: Basic Overview and Tutorial | Japanese original ↗ |
| 2016-05-06 | VOCALOID Tips: Moving Beyond Mechanically Entered Notes, Part 2 — Pitch | Japanese original ↗ |
| 2016-05-02 | Ableton Live Tips: Play Audio Creatively with Arpeggiator | Japanese original ↗ |
| 2016-04-29 | Programming Clavinet Backing, Part 1: Funky Patterns and Chords | Japanese original ↗ |
| 2016-04-19 | VOCALOID Tips: Moving Beyond Mechanically Entered Notes, Part 1 — Velocity and Dynamics | Japanese original ↗ |
| 2016-04-18 | Ableton Live Tips: Automation Editing Tips and Cautions | Japanese original ↗ |
| 2016-04-09 | Ableton Live Tips: Efficient Velocity Editing | Japanese original ↗ |
| 2016-04-04 | How to Keep Drum Patterns from Sounding Repetitive | Japanese original ↗ |
| 2016-04-02 | Change Chord Progressions with Common Tones | Japanese original ↗ |
| 2016-03-31 | 24. Exporting a Song in FL Studio | Japanese original ↗ |
| 2016-03-31 | 23. Understanding the Mixer Window in FL Studio | Japanese original ↗ |
| 2016-03-31 | 22. Applying Effects in FL Studio | Japanese original ↗ |
| 2016-03-31 | 20. Recording Audio in FL Studio | Japanese original ↗ |
| 2016-03-31 | 18. Editing Clips in FL Studio: Copy, Merge, Split and Resize | Japanese original ↗ |
| 2016-03-31 | 16. Understanding and Managing Patterns in FL Studio | Japanese original ↗ |
| 2016-03-31 | 14. Correcting Rhythm with Quantize in FL Studio | Japanese original ↗ |
| 2016-03-31 | 13. Using Recording Options in FL Studio | Japanese original ↗ |
| 2016-03-31 | 12. Real-Time Recording with a MIDI Keyboard in FL Studio | Japanese original ↗ |
| 2016-03-31 | 10. Understanding Snap for Editing in FL Studio | Japanese original ↗ |
| 2016-03-31 | 9. Programming Pitched Instruments in FL Studio’s Piano Roll | Japanese original ↗ |
| 2016-03-31 | 8. Changing and Adjusting Channel Rack Sounds in FL Studio | Japanese original ↗ |
| 2016-03-31 | 7. Using Undo and Redo in FL Studio | Japanese original ↗ |
| 2016-03-31 | 6. Changing the Tempo in FL Studio | Japanese original ↗ |
| 2016-03-31 | 5. FL Studio Channel Rack Basics: Programming a Rhythm | Japanese original ↗ |
| 2016-03-31 | 4. Creating and Saving a Project in FL Studio | Japanese original ↗ |
| 2016-03-31 | 3. Setting Up Third-Party Plug-ins in FL Studio | Japanese original ↗ |
| 2016-03-31 | 2. Setting Up a MIDI Keyboard in FL Studio | Japanese original ↗ |
| 2016-03-31 | 1. Setting Up Audio in FL Studio | Japanese original ↗ |
| 2016-03-28 | 32-bit Float: Essential Basics for Music Production | Japanese original ↗ |
| 2016-03-21 | Using Syncopation to Add Expression to Your Music | Japanese original ↗ |
| 2016-03-18 | Create Tricky Glitch Beats: Ableton Live Tips | Japanese original ↗ |
| 2016-03-12 | Switch Sounds Easily with Velocity: Ableton Live Tips | Japanese original ↗ |
| 2016-03-09 | Show Device Slots in Session View: Ableton Live Tips | Japanese original ↗ |
| 2016-02-26 | Making the Most of Return Tracks: Ableton Live Tips | Japanese original ↗ |
| 2016-02-22 | “Arigatou” Chord Analysis 6: Double Dominant and Minor Subdominant | Japanese original ↗ |
| 2016-02-21 | How to Create Synth Riffs and Backing Parts | Japanese original ↗ |
| 2016-02-19 | Easy Chord Entry with the Fold Button in Ableton Live | Japanese original ↗ |
| 2016-02-16 | How to Make a Drop Kick in Ableton Live | Japanese original ↗ |
| 2016-02-12 | How to Make a Drop Kick with Massive | Japanese original ↗ |
| 2016-02-08 | How to Create a Classic Brass Vibrato Sound | Japanese original ↗ |
| 2016-02-01 | “Arigatou” Chord Analysis, Part 5: Pivot Chords | Japanese original ↗ |
| 2016-01-30 | iZotope Stutter Edit Tutorial 4: Controlling the Parameters | Japanese original ↗ |
| 2016-01-24 | Parallel Compression: Blend Dry and Compressed Signals | Japanese original ↗ |
| 2016-01-17 | Scarbee Funk Guitarist: Chords and Pattern Editing | Japanese original ↗ |
| 2016-01-11 | Noveltech Vocal Enhancer: Bring Vocals Forward in the Mix | Japanese original ↗ |
| 2016-01-10 | Waves Doubler Tutorial: Add Width and Thickness to Vocals | Japanese original ↗ |
| 2016-01-04 | Sidechain Compression: Add Natural Groove to Bass and Kick | Japanese original ↗ |
| 2015-12-27 | Peak, RMS and Loudness: Understanding Audio Level Meters | Japanese original ↗ |
| 2015-12-19 | Waves TrueVerb Tutorial: Room Size, Distance and Dimension | Japanese original ↗ |
| 2015-12-13 | Cubase Pro 8.5 New Features: Event Editing and MIDI Programming | Japanese original ↗ |
| 2015-12-12 | Cubase Pro 8.5 New Features: Faster Editing and Automation | Japanese original ↗ |
| 2015-12-10 | Samplers 2: Turn Everyday Sounds into Pitched Instruments | Japanese original ↗ |
| 2015-11-30 | Samplers 1: Turn Recorded Sounds into Rhythm Instruments | Japanese original ↗ |
| 2015-11-15 | Waves CLA-2A: Compressor and Automation Order | Japanese original ↗ |
| 2015-11-13 | Sonnox Codec Toolbox: Checking Levels for MP3 and AAC | Japanese original ↗ |
| 2015-11-08 | Solid Bus Comp: Bringing Tracks Together with Bus Compression | Japanese original ↗ |
| 2015-11-07 | Heavyocity EVOLVE: Cinematic Sounds, Effects and Sequencing | Japanese original ↗ |
| 2015-11-02 | Plug-in Formats: Check DAW Compatibility Before You Buy | Japanese original ↗ |
| 2015-10-24 | MIDI Basics 2: Parameters and Values | Japanese original ↗ |
| 2015-10-22 | REAKTOR 6 Blocks Tutorial: Patching and Building a Synth | Japanese original ↗ |
| 2015-10-17 | “Arigatou” Chord Analysis, Part 4: ii–V and Secondary Dominants | Japanese original ↗ |
| 2015-10-13 | Piano Arrangement 6: Left-Hand Arpeggios and Right-Hand Voicing | Japanese original ↗ |
| 2015-10-10 | MIDI Basics 1: How MIDI Works, Inputs, Outputs and Channels | Japanese original ↗ |
| 2015-10-03 | Progressive House and Trance: Pluck Sounds and MIDI Programming | Japanese original ↗ |
| 2015-09-21 | “Arigatou” Chord Analysis, Part 3: Non-Diatonic Chords and Secondary Dominants | Japanese original ↗ |
| 2015-09-20 | Waves TransX Tutorial 2: Practical Transient Shaping | Japanese original ↗ |
| 2015-09-19 | Piano Arrangement 5: A Left-Hand Arpeggio Approach | Japanese original ↗ |
| 2015-09-08 | Progressive House and Trance Sounds and MIDI Basics 3: Pad | Japanese original ↗ |
| 2015-09-04 | KOMPLETE 10: Installation and Activation on Mac and Windows | Japanese original ↗ |
| 2015-09-03 | Waves TransX Tutorial 1: Basic Controls and Parameters | Japanese original ↗ |
| 2015-08-30 | “Arigatou” Chord Analysis, Part 2: Chord Progression | Japanese original ↗ |
| 2015-08-27 | Piano Arrangement 4: Note Length and Velocity in Practice | Japanese original ↗ |
| 2015-08-16 | “Arigatou” Chord Analysis, Part 1: Identifying the Key | Japanese original ↗ |
| 2015-08-12 | Progressive House and Trance: Noise Sounds and MIDI Programming | Japanese original ↗ |
| 2015-08-09 | Piano Arrangement 3: Creating a Chord Progression | Japanese original ↗ |
| 2015-08-02 | Waves H-Reverb Tutorial 2: Expanded Controls | Japanese original ↗ |
| 2015-07-27 | Piano Arrangement 2: Choosing Appropriate Velocity | Japanese original ↗ |
| 2015-07-26 | Waves H-Reverb Tutorial 1: The Basics | Japanese original ↗ |
| 2015-07-25 | Progressive House and Trance Basics 1: Bass Sounds and MIDI Programming | Japanese original ↗ |
| 2015-07-23 | Cubase: Streamline Editing with the Info Line | Japanese original ↗ |
| 2015-07-21 | Native Instruments BRASS COLLECTION: Overview and Tutorial | Japanese original ↗ |
| 2015-07-18 | Piano Arrangement 1: Programming the Melody | Japanese original ↗ |
| 2015-06-29 | Correct MIDI Programmed at Double or Half Tempo | Japanese original ↗ |
| 2015-06-23 | Working Across Different DAWs 3: Importing Files | Japanese original ↗ |
| 2015-06-22 | Working Across Different DAWs 2: Exporting MIDI and Audio | Japanese original ↗ |
| 2015-06-21 | Gakki.me: Chords for 24,000 Songs | Japanese original ↗ |
| 2015-06-16 | Working Across Different DAWs 1: Understanding DAW Project Structure | Japanese original ↗ |
| 2015-06-02 | Cubase: Why Quantized MIDI Notes Move to Unexpected Positions | Japanese original ↗ |
| 2015-05-31 | Understanding Vintage Equalizers: How to Use Waves V-EQ4 | Japanese original ↗ |
| 2015-05-27 | Komplete Kontrol 1.1: New Features Explained | Japanese original ↗ |
| 2015-05-19 | How to Use Omnisphere 2: Browser, Synth and Granular Features | Japanese original ↗ |
| 2015-05-10 | How to Use DAMAGE: Cinematic Percussion, Effects and Stage | Japanese original ↗ |
| 2015-05-09 | How to Use DrumLab: Acoustic and Electronic Drum Sounds | Japanese original ↗ |
| 2015-04-27 | Electri6ity Tutorial 4: Programming a Guitar Solo, Part 2 | Japanese original ↗ |
| 2015-04-25 | Electri6ity Tutorial 3: Programming a Guitar Solo, Part 1 | Japanese original ↗ |
| 2015-04-18 | Ableton Live Tutorial 31: Audio Effect Rack, Part 2 | Japanese original ↗ |
| 2015-03-29 | Emotive Strings Tutorial, Part 2: Sound Controls | Japanese original ↗ |
| 2015-03-22 | Emotive Strings Tutorial, Part 1: Basic Operation and Loading Phrases | Japanese original ↗ |
| 2015-03-16 | Installing Older Cubase Versions on OS X Yosemite 10.10 | Japanese original ↗ |
| 2015-03-08 | Ableton Live Tutorial 30: Audio Effect Rack Basics | Japanese original ↗ |
| 2015-02-28 | Komplete Kontrol Tutorial 7: Automation and MIDI Mode | Japanese original ↗ |
| 2015-02-22 | Komplete Kontrol Tutorial 6: Arpeggiator | Japanese original ↗ |
| 2015-02-20 | SuperSAW Sound Design in MASSIVE, Part 2 | Japanese original ↗ |
| 2015-02-15 | SuperSAW Sound Design in MASSIVE, Part 1 | Japanese original ↗ |
| 2015-02-09 | How to Record Over an Existing MIDI Region in Logic Pro | Japanese original ↗ |
| 2015-02-08 | Komplete Kontrol Tutorial 5: Chord Feature | Japanese original ↗ |
| 2015-02-07 | Session Guitarist Strummed Acoustic: Patterns and Sound Editing | Japanese original ↗ |
| 2015-02-01 | Komplete Kontrol Tutorial 4: Scale Feature | Japanese original ↗ |
| 2015-01-24 | Komplete Kontrol Tutorial 3: Light Guide and Clear View | Japanese original ↗ |
| 2015-01-19 | Komplete Kontrol Tutorial 2: Browsing Presets | Japanese original ↗ |
| 2015-01-10 | Komplete Kontrol Tutorial 1: Overview and Setup | Japanese original ↗ |
| 2015-01-05 | Vintage Compressor Basics: Using Waves CLA-76 | Japanese original ↗ |
| 2014-12-27 | Cubase 8: Chord Pads and Chord Track | Japanese original ↗ |
| 2014-12-26 | Cubase 8: Direct Routing | Japanese original ↗ |
| 2014-12-25 | EXS24 3: Switching Articulations | Japanese original ↗ |
| 2014-12-19 | Native Instruments REPLIKA Delay: 2014 Free Giveaway and Tutorial | Japanese original ↗ |
| 2014-12-17 | Music Theory 10: ii–V and Related ii–V Progressions | Japanese original ↗ |
| 2014-12-15 | Cubase 8: VCA Faders | Japanese original ↗ |
| 2014-12-08 | Cubase 8: Render in Place | Japanese original ↗ |
| 2014-12-05 | Logic Pro: Snap Automation to the Grid | Japanese original ↗ |
| 2014-12-03 | Cubase 8: A Smooth Transition from Earlier Versions | Japanese original ↗ |
| 2014-12-03 | Using Dynamics Plug-in Presets: What to Watch For | Japanese original ↗ |
| 2014-11-28 | Session Strings Pro: Overview and Programming Techniques | Japanese original ↗ |
| 2014-11-27 | Waves OneKnob Pumper: Easy Sidechain-Style Pumping | Japanese original ↗ |
| 2014-11-23 | MASSIVE: Create Automatic Backing with the Performer | Japanese original ↗ |
| 2014-11-22 | Cubase Control Room: Compare Your Mix with a Reference | Japanese original ↗ |
| 2014-11-20 | Cubase Arranger Track: Explore and Manage Song Structure | Japanese original ↗ |
| 2014-11-19 | Cubase Transpose Track: Change the Key of a Song Section | Japanese original ↗ |
| 2014-11-18 | Cubase Recording Routing: Capture Multiple Sounds at Once | Japanese original ↗ |
| 2014-11-09 | Waves Center: Simple Mid-Side Processing | Japanese original ↗ |
| 2014-11-08 | Recording with Effects: Logic and Cubase Setups | Japanese original ↗ |
| 2014-11-02 | Programming a Natural-Sounding Snare Roll | Japanese original ↗ |
| 2014-10-31 | Music Theory 9: Secondary Dominant Chords | Japanese original ↗ |
| 2014-10-26 | Why Audio Clips Even with a Limiter: Mix and Mastering Checks | Japanese original ↗ |
| 2014-10-19 | Native Instruments ROUNDS: Sound Blocks, Voice and Progress Modes | Japanese original ↗ |
| 2014-10-18 | Make a Down Bass with Pitch Bend in Massive | Japanese original ↗ |
| 2014-10-14 | Waves S1 Imager: Controlling Stereo and Mono | Japanese original ↗ |
| 2014-10-13 | Recover a Damaged Project in Logic Pro X | Japanese original ↗ |
| 2014-10-12 | Create an Electro-Funk Bass Sound | Japanese original ↗ |
| 2014-10-09 | EDM Buildups with Noise, Part 2: Automation and LFO | Japanese original ↗ |
| 2014-10-05 | Native Instruments Polyplex: A Practical Guide | Japanese original ↗ |
| 2014-10-02 | How to Extract Vocals from a Song Using Polarity Inversion | Japanese original ↗ |
| 2014-09-28 | Music Theory 8: Substitute Chords | Japanese original ↗ |
| 2014-09-27 | Transient Shaping: Adjust Attack and Release | Japanese original ↗ |
| 2014-09-26 | EDM Hi-Hat Programming Techniques | Japanese original ↗ |
| 2014-09-23 | EDM Production: Adding Reverb to a Kick | Japanese original ↗ |
| 2014-09-22 | EDM Production: Snare Pitch Control | Japanese original ↗ |
| 2014-09-21 | EDM Production: ADSR Automation for Buildups | Japanese original ↗ |
| 2014-09-20 | Optimizing a Master for iTunes Distribution | Japanese original ↗ |
| 2014-09-14 | FabFilter Pro-Q 2: Spectrum Grab and EQ Match | Japanese original ↗ |
| 2014-09-11 | FabFilter Pro-Q 2: Auto Gain and Other New Features | Japanese original ↗ |
| 2014-09-09 | Entering Quintuplets and Septuplets in Logic Pro X | Japanese original ↗ |
| 2014-09-08 | Waves Kramer Master Tape: Add Analog Tape Character to Your Mix | Japanese original ↗ |
| 2014-09-06 | Cubase Expression Maps: Set Up and Control Keyswitches | Japanese original ↗ |
| 2014-09-04 | Cubase: Audio Processing Also Changes Copied Events | Japanese original ↗ |
| 2014-09-02 | HALion Sonic SE 2: Keyswitch Control in Cubase | Japanese original ↗ |
| 2014-08-31 | SampleTank 3 Free: Download and Authorization Guide | Japanese original ↗ |
| 2014-08-21 | Access Audio Files Inside a Logic Pro X Project Package | Japanese original ↗ |
| 2014-08-11 | Music Theory 7: The Line Cliché | Japanese original ↗ |
| 2014-08-09 | Logic Pro X: Fix the Ruler Display and Show Bars or Time | Japanese original ↗ |
| 2014-08-08 | reFX NEXUS 2 Tutorial: Presets, Effects and Modulation | Japanese original ↗ |
| 2014-08-01 | MASCHINE 2 Tutorial: Presets, Patterns, Effects and DAW Integration | Japanese original ↗ |
| 2014-07-12 | Session Horns and Session Horns Pro: A Practical Guide | Japanese original ↗ |
| 2014-07-05 | Music Theory 6: Using Four-Note Chords | Japanese original ↗ |
| 2014-06-28 | Sound Design with Filters: Low-Pass, High-Pass and Band-Pass | Japanese original ↗ |
| 2014-06-27 | Using a Maximizer to Control Peaks and Increase Loudness | Japanese original ↗ |
| 2014-06-26 | Using a Gate to Control Sound Length | Japanese original ↗ |
| 2014-06-25 | Distortion and Saturation Effects for Music Production | Japanese original ↗ |
| 2014-06-24 | How to Use Phaser, AutoPan and Chorus | Japanese original ↗ |
| 2014-06-23 | How to Use Delay | Japanese original ↗ |
| 2014-06-22 | How to Create a Beatles-Style Piano Sound | Japanese original ↗ |
| 2014-06-08 | How to Use MONARK: Oscillators, Mixer, Filter and Glide | Japanese original ↗ |
| 2014-05-13 | Addictive Drums 2 Tutorial: Presets, Beats, Editing and Effects | Japanese original ↗ |
| 2014-04-20 | A Simple Double-Track Effect with Waves SuperTap | Japanese original ↗ |
| 2014-04-15 | Cubase: Other Tracks Are Silent in the Key Editor | Japanese original ↗ |
| 2014-04-14 | Cubase: Make Audio Follow Tempo and Change Pitch | Japanese original ↗ |
| 2014-04-09 | Arrange with Time Stretching | Japanese original ↗ |
| 2014-04-06 | Create a Sidechain-Style Effect with an LFO | Japanese original ↗ |
| 2014-02-26 | Add Groove with Slap Bass Accents | Japanese original ↗ |
| 2014-02-23 | Create an Electro Kick with a Synthesizer | Japanese original ↗ |
| 2014-02-16 | Build Tension with a Gradually Longer Backing Sound | Japanese original ↗ |
| 2014-02-15 | Music Theory 3: The Functions of Diatonic Chords | Japanese original ↗ |
| 2014-02-11 | Perfume “Chocolate Disco”: Lead Sound | Japanese original ↗ |
| 2014-02-10 | Perfume “Chocolate Disco”: Bass Sound | Japanese original ↗ |
| 2014-02-09 | Perfume “Chocolate Disco”: Pad Sound | Japanese original ↗ |
| 2014-02-08 | Perfume “Chocolate Disco”: Intro Synth Sound | Japanese original ↗ |
| 2014-02-05 | How to Program Bass Ghost Notes for Better Groove | Japanese original ↗ |
| 2014-02-02 | Create a Focused Laser Lead Sound | Japanese original ↗ |
| 2014-01-28 | Arranging with Filters | Japanese original ↗ |
| 2014-01-26 | Create a Pulsing, Evolving Pad with LFO and Filter | Japanese original ↗ |
| 2014-01-21 | Music Theory 2: Understanding Diatonic Chords | Japanese original ↗ |
| 2014-01-19 | Logic X: What to Do When Audio File Editing Is Unavailable | Japanese original ↗ |
| 2014-01-19 | Create a Modern Step-Filter Synth Sound | Japanese original ↗ |
| 2014-01-17 | Waves PAZ Analyzer: Visualizing Frequency and Stereo Position | Japanese original ↗ |
| 2014-01-13 | Guitar Chopping: Create New Rhythms from Audio | Japanese original ↗ |
| 2014-01-12 | How to Make a Wobble Bass | Japanese original ↗ |
| 2014-01-12 | How to Create a Trance Lead | Japanese original ↗ |
| 2014-01-11 | Electri6ity Tutorial 2: Sound Design and Programming Strums | Japanese original ↗ |
| 2014-01-05 | Electri6ity Tutorial 1: Trigger Keys and Power Chords | Japanese original ↗ |
| 2013-12-29 | Ableton Live 25: Slice Audio to a New MIDI Track | Japanese original ↗ |
| 2013-12-28 | Create a Bleeping Electronic Sound Effect with Random LFOs | Japanese original ↗ |
| 2013-12-24 | Music Theory 1: Preparing a Melody for Reharmonization in Finale | Japanese original ↗ |
| 2013-12-23 | Clean Up Layered Rhythm Loops with EQ | Japanese original ↗ |
| 2013-12-22 | Advanced Growling Bass: Unison, Glide and Phase | Japanese original ↗ |
| 2013-12-21 | How to Create a Growling Bass with a Synthesizer | Japanese original ↗ |
| 2013-12-17 | Native Instruments SUPERCHARGER: 2013 Giveaway and Compressor Guide | Japanese original ↗ |
| 2013-12-15 | Cubase 7.5: New Effects Explained | Japanese original ↗ |
| 2013-12-15 | Create an Evolving Pad Sound with Filter Envelopes | Japanese original ↗ |
| 2013-12-13 | Cubase 7.5: Track Versions and Re-record Mode | Japanese original ↗ |
| 2013-12-08 | Create an Accelerating Sound Effect with an LFO | Japanese original ↗ |
| 2013-12-08 | Cubase 7.5: Enhanced VST Instrument Tracks | Japanese original ↗ |
| 2013-12-07 | Cubase 7.5: Show, Hide, and Manage Tracks | Japanese original ↗ |
| 2013-12-07 | Ableton Live: Create Robot Voices with Vocoder | Japanese original ↗ |
| 2013-12-05 | Cubase 7.5 Grace Period Update and Installation: A Historical Guide | Japanese original ↗ |
| 2013-12-01 | Famicom-Inspired Synth Sounds and Arpeggios | Japanese original ↗ |
| 2013-11-30 | Waves Renaissance Bass: How to Enhance Your Low End | Japanese original ↗ |
| 2013-11-30 | Logic Pro X: Change the Piano Roll Grid Division | Japanese original ↗ |
| 2013-11-27 | Logic Pro X: Add Tracks for a Multi-Timbral Instrument | Japanese original ↗ |
| 2013-11-23 | Create a Noise-Based Transition Effect with Massive | Japanese original ↗ |
| 2013-11-18 | Create a Sparkling Bell Sound | Japanese original ↗ |
| 2013-11-13 | Create a Rising Siren Sound with Massive | Japanese original ↗ |
| 2013-11-11 | Create a Sine-Wave Obbligato Sound with Massive | Japanese original ↗ |
| 2013-10-07 | How to Use The Finger by Native Instruments | Japanese original ↗ |
| 2013-09-30 | How to Use BFD3: Installation, Kits, Grooves and Mixing | Japanese original ↗ |
| 2013-09-29 | Reaktor 5: Downloading and Managing Free Instruments | Japanese original ↗ |
| 2013-09-15 | RealGuitar 3: Programming Chords and Articulations | Japanese original ↗ |
| 2013-06-24 | How to Register and Activate an iLok | Japanese original ↗ |
| 2013-06-23 | Alloy 2 Tutorial: Using the EQ | Japanese original ↗ |
| 2013-06-06 | 20. Using the Arpeggiator, Part 2 | Ableton Live | Japanese original ↗ |
| 2013-05-30 | Ableton Live 9: Session Automation in Clips | Japanese original ↗ |
| 2013-05-30 | 19. Using the Arpeggiator, Part 1 | Ableton Live | Japanese original ↗ |
| 2013-05-23 | 18. Using Sidechain in Ableton Live | Japanese original ↗ |
| 2013-04-02 | Ableton Live 9: Convert Audio to a New MIDI Track | Japanese original ↗ |
| 2013-03-31 | Native Instruments Battery 4: How to Use It | Japanese original ↗ |
| 2013-03-31 | 17. Routing Software Instruments to Separate Outputs in Ableton Live | Japanese original ↗ |
| 2013-03-07 | Cubase 7: Match a Reference Track’s Spectrum with CurveEQ | Japanese original ↗ |
| 2013-02-28 | 13. Create Feel with Grooves in Ableton Live | Japanese original ↗ |
| 2013-02-20 | 8. Automation 2: Recording in Real Time in Ableton Live | Japanese original ↗ |
| 2013-02-19 | 7. Automation 1: Drawing Automation in Ableton Live | Japanese original ↗ |
| 2013-02-17 | 4. Creating an Orchestral Hit in Sample One, Part 2 | Japanese original ↗ |
| 2013-02-14 | 3. Arranging and Copying Clips in Ableton Live | Japanese original ↗ |
| 2013-02-07 | 3. Creating an Orchestral Hit with Sample One, Part 1 | Japanese original ↗ |
| 2013-01-25 | How to Use Guitar Rig 5 | Native Instruments | Japanese original ↗ |
| 2013-01-23 | 2. Monophonic Mode and Glide in Sample One | Japanese original ↗ |
| 2013-01-19 | Cubase 7: Loudness and RMS Metering | Japanese original ↗ |
| 2013-01-13 | 1. Sample One Basics: Loading and Editing Samples | Japanese original ↗ |
| 2013-01-05 | Waves Element: An Introduction to the Synthesizer | Japanese original ↗ |
| 2012-12-29 | 3. Mojito: LFO and Effects | Japanese original ↗ |
| 2012-12-27 | Cubase 7 MixConsole: Vocal Processing and Routing | Japanese original ↗ |
| 2012-12-23 | Cubase 7 MixConsole: Inserts and Channel Strip | Japanese original ↗ |
| 2012-12-19 | Cubase 7 MixConsole: Reverb and Pan Techniques | Japanese original ↗ |
| 2012-12-14 | 2. Mojito: Amp and Filter | Japanese original ↗ |
| 2012-12-09 | Cubase 7: Chord Assistant | Japanese original ↗ |
| 2012-12-05 | Cubase 7: Creating Harmony Voices | Japanese original ↗ |
| 2012-12-01 | 1. Mojito: Loading Presets and the Oscillator | Japanese original ↗ |
| 2012-11-25 | 4. Impact: Multiple Outputs | Japanese original ↗ |
| 2012-11-18 | 3. Impact: Real-Time Recording | Japanese original ↗ |
| 2012-11-14 | See a Song’s Chords at a Glance | Japanese original ↗ |
| 2012-11-09 | 2. Impact: Designing Kit Sounds | Japanese original ↗ |
| 2012-10-31 | 1. Impact: Basics and Loading Kits | Japanese original ↗ |
| 2012-09-20 | 64. Using the Arpeggiator in Cubase | Japanese original ↗ |
| 2012-09-16 | 63. Controlling Cubase with a MIDI Controller | Japanese original ↗ |
| 2012-09-07 | Waves Vocal Rider: Automatic Vocal Level Control | Japanese original ↗ |
| 2012-09-06 | 62. What to Watch for When Importing Audio Files in Cubase | Japanese original ↗ |
| 2012-09-04 | How to Use FM8: Native Instruments FM Synthesizer Tutorial | Japanese original ↗ |
| 2012-07-22 | Basic Music Production Equipment Connections | Japanese original ↗ |
| 2012-07-18 | Running Windows on a Mac with Parallels | Japanese original ↗ |
| 2012-07-14 | 49. Recommended Studio One Preferences and Workflow Tips | Japanese original ↗ |
| 2012-07-01 | LoopMash 2: Real-Time Control | Japanese original ↗ |
| 2012-06-30 | LoopMash, Part 1: Setting Up and Adjusting Loops | Japanese original ↗ |
| 2012-06-27 | Waves IR-Reverb: Downloading and Installing Presets | Japanese original ↗ |
| 2012-06-24 | Mid-Side Processing with Waves MS Matrix | Japanese original ↗ |
| 2012-06-12 | How to Use Massive by Native Instruments | Japanese original ↗ |
| 2012-06-10 | How to Use Trilian: A Bass Instrument Guide | Japanese original ↗ |
| 2012-05-29 | Cubase Quick Controls: Assigning Parameters and MIDI Controls | Japanese original ↗ |
| 2012-05-28 | Waves Q10 Equalizer: EQ Points, Filter Types, and A/B Comparison | Japanese original ↗ |
| 2012-05-25 | Studio One Groove Quantize: Extract and Apply a Groove | Japanese original ↗ |
| 2012-05-25 | Studio One Sidechain Compression: Duck Bass to the Kick | Japanese original ↗ |
| 2012-05-25 | Studio One: Register an External MIDI Controller | Japanese original ↗ |
| 2012-05-24 | Stylus RMX: Patterns, Groove Editing, REX Files, and Edit Groups | Japanese original ↗ |
| 2012-05-23 | MASCHINE Tutorial 5: Using MASCHINE as a MIDI Controller | Japanese original ↗ |
| 2012-05-22 | Studio One Tutorial 11: Using Multiple Outputs with Software Instruments | Japanese original ↗ |
| 2012-05-20 | MASCHINE Tutorial 4: Exporting Audio and MIDI to a DAW | Japanese original ↗ |
| 2012-05-19 | Cubase Tutorial 58: Integrating a Hardware Synthesizer | Japanese original ↗ |
| 2012-05-15 | MASCHINE Tutorial 3: Using Effects and Automation | Japanese original ↗ |
| 2012-05-12 | MASCHINE Tutorial 2: Programming Drum Patterns | Japanese original ↗ |
| 2012-05-11 | MASCHINE Tutorial 1: Loading Kits and Sounds | Japanese original ↗ |
| 2012-04-26 | Boom Tutorial 2: Using Drum Patterns | Japanese original ↗ |
| 2012-04-26 | Boom Tutorial 1: Loading and Adjusting a Drum Kit | Japanese original ↗ |
| 2012-04-25 | Groove Agent ONE Tutorial 4: Using Multiple Outputs | Japanese original ↗ |
